WHISKY - FAQ's V

THE MAKING OF GRAIN WHISKY

1. Scotch grain whisky is usually made from 10-20% malted barley and then other unmalted cereals such as maize or wheat. The starch in the non-malted cereals is released by pre-cooking and converted into fermentable sugars. The mashing and fermentation processes are similar to those used for malt whisky.

2. The wash is distilled in a continuous or Coffey still, named after its inventor Aeneas Coffey. It has two tall columns - a rectifier and an analyser. Cold wash is pumped in at the top of the rectifier and meets steam. The columns in fact act like a heat exchanger. The alcohol is cooled, condenses and flows away as Scotch grain spirit at about 94% alcohol by volume.

3. The distilled grain spirit is lighter in character and aroma than most malt whiskies and therefore requires rather less time to mature. The bulk of matured grain whisky is used for blending.

THE MATURATION PROCESS

While maturing, the whisky becomes smoother, gains flavour, and draws its golden colour from the cask. A proportion of the higher alcohols turn into esters and other complex compounds which subtly enhance each whisky's distinctive characteristics.

By law all Scotch whisky must be matured for at least 3 years, but most single malts lie in the wood for 8, 10, 12, 15 years or longer. Customs & Excise allow for a maximum of 2% of the whisky to evaporate from the cask each year - the Angels' Share. Unlike wine, whisky does not mature further once it is in the bottle.

THE ART OF BLENDING

While the distinctive single malts produced by individual distilleries are becoming increasingly popular, blending creates over 90% of the Scotch whisky enjoyed throughout the world.

By nosing samples in tulip-shaped glasses the blender selects from a wide palate - from the numerous Highland and Speyside malts to the strongly flavoured and peaty Island malts, and the softer and lighter Lowland malts. These malts are combined with grain whiskies - usually 60-80% grain whiskies to 20-40% malt whiskies, and are then left to 'marry' in casks before being bottled as one of the world-renowned blended whiskies.

A blend of a range of malt whiskies, with no grain whisky included, is known as a vatted malt.

The way we make Scotch whisky has evolved over several centuries, but the history of Scotch whisky embraces a much wider heritage; that of Scotland and its people.

What are the main kinds of Scotch Whisky?

There are two kinds of Scotch Whisky - Malt Whisky and Grain Whisky. The Malt Whiskies are divided into four groups according to the geographical location of the distilleries in which they are made, as follows:

(1) Lowland Malt Whiskies, made south of an imaginary line drawn from Dundee in the east to Greenock in the west.

(2) Highland Malt Whiskies, made north of that line.

(3) Speyside Malt Whiskies, from the valley of the River Spey. Although these whiskies come from within the area designated as Highland Malt Whiskies, the concentration of distilleries and the specific climatic conditions produce a whisky of an identifiable character and require a separate classification.

(4) Islay Malt Whiskies, from the island of Islay.

Each group has its own clearly defined characteristics, ranging from the lighter Lowland Malt Whiskies to those distilled on Islay which are generally regarded as the heaviest Malt Whiskies.

Malt Whiskies, which differ considerably in flavour according to the distillery from which they come, have a more pronounced bouquet and flavour than the Grain Whiskies. The production of Grain Whisky is not so influenced by geographical factors and it may be distilled anywhere in Scotland.

What gives Scotch Whisky its distinctive flavour and bouquet?

This is one of the mysteries of the industry and a secret which many imitators of Scotch Whisky have tried in vain to discover. Many theories and explanations have been put forward, but there is no universally accepted solution.

The distilling process itself is one factor. Scotch Whisky, after it has been distilled, contains not only ethyl alcohol and water but certain secondary constituents. The exact nature of these is not fully understood, but it is believed they include some of the essential oils from the malted barley and other cereals and substances that derive from the peat. The amount of these secondary constituents retained in the spirit depends upon the shape of the still and the way it is operated and also on the strength at which the spirit is drawn off. Grain Whisky, because of the process by which it is made, contains fewer secondary constituents than Malt Whisky and is accordingly milder in flavour and aroma.

The natural elements of water, peat and the Scottish climate all certainly have a profound effect on the flavour of Scotch Whisky. Water is probably the most important single factor and a source of good, soft water is essential to a distillery. Peat, which is used in the kiln or oven in which the malt is dried, also has an influence that can be detected in the ‘peaty’ or smoky flavour of many Scotch Whiskies.

The Scottish climate is extremely important, particularly when the whisky is maturing. At this stage the soft air permeates the casks and works on the whisky, eliminating harsher constituents to produce a mellow whisky.

Why do whiskies produced in different distilleries vary in flavour?

This again is a question which it is very difficult to answer with certainty. Most people would agree that the water used is the decisive factor. Adjoining distilleries which draw their water from different sources are known to produce whiskies that are quite dissimilar in flavour.

The size and shape of the stills are also important as are the skill and experience of the men who manage them. It is the objective of the distiller to produce a whisky whose flavour and character remain consistent at all times and in all circumstances. This is the true art of distilling, acquired only after many years and often handed down from one generation to the next.

How many distilleries are there?

There are around 100 Pot Still Malt distilleries and Grain, or Patent Still, distilleries in Scotland; but the number working can vary from year to year.

Can Scotch Whisky be made only in Scotland?

Yes. Many other products which were originally manufactured only in a particular locality have lost their geographical significance and can now be manufactured anywhere. The word ‘Scotch’, however, as applied to whisky, has retained its geographical significance. This is widely recognised in law throughout the world. Thus, whisky may be described as Scotch Whisky only if it has been wholly distilled and matured in Scotland for a minimum of 3 years.

If you could duplicate exactly a Scotch Whisky distillery in, say, Brazil or Spain, could you produce Scotch?

No. For the reason given in the preceding answer, whisky can be called ‘Scotch’ only if it is distilled and matured in Scotland. Whisky produced in Brazil is ‘Brazilian Whisky’ or in Spain ‘Spanish Whisky’. Attempts have been made to copy the unique flavour of Scotch Whiskies in many parts of the world, but with no success whatsoever.

What is blending? What is its purpose?

A number of distilleries bottle and sell some of the whisky they distil for consumption as single or unblended whiskies. By far the greater part of their production, however, is used for the well-known blended Scotch Whiskies that are sold all over the world.

Blending whisky is a considerable art acquired only after years of experience.

A blend will consist of anything from 15 to 50 different single whiskies, combined in the proportions of a formula that is the secret of the blending company concerned.

Whiskies from different distilleries have a character of their own and, just as people of different temperaments are often incompatible, so some whiskies will not blend happily with certain others. The Malts and Grains in a blend must therefore, be chosen to complement and enhance their respective flavours. Blending is in no sense a dilution. The blender's task is to combine different single whiskies, to produce a blend which brings out the best qualities of each of its constituent parts.

The aim of the blender is first to produce a whisky of a definite and recognisable character.

It is of the greatest importance that his blend should never vary from this standard, which his customers all over the world will have come to expect. His second aim is, therefore, to achieve consistency.

The blender must also decide when the different single whiskies are ready to be used in his blend. They are brought from the warehouse where they have been maturing to the blending establishment, where they are mixed together in a blending vat. They are usually returned to cask and left to ‘marry’ for a period of months, before bottling. Some companies prefer to vat their Malts and Grains separately and only bring the two together before bottling.

The combining of Malt with Malt or Grain with Grain is known as vatting. 

WHISKY - FAQ's IV

THE MAKING OF MALT WHISKY

The origins of malt whisky distilling in Scotland are lost in the mists of antiquity. They date back at least to the monks of the 15'" century and probably long before.

Although the distillers' art has been understood since earliest times, the subtle aromas and flavours of whisky have never been fully explained, even today. The ancient term using beatha, which is Gaelic for the Latin aqua vitae or 'water of life', was corrupted in the 18'" century to usky, and then to whisky. The following description is a generalisation of the process.

It should be remembered that each distillery has its own unique specifications.

1. Malting

Best quality barley is first steeped in water and then spread out on malting floors to germinate. It is turned regularly to prevent the build up of heat. Traditionally, this was done by tossing the barley into the air with wooden shovels in a malt barn adjacent to the kiln.

During this process enzymes are activated which convert the starch into sugar when mashing takes place. After 6 to 7 days of germination the barley, now called green malt, goes to the kiln for drying. This halts the germination. The heat is kept below 70°C so that the enzymes are not destroyed. Peat may be added to the fire to impart flavour from the smoke.

2. Mashing

The dried malt is ground into a coarse flour or grist, which is mixed with hot water in the mash tun. The water is added in 3 stages and gets hotter at each stage, starting around 67°C and rising to almost boiling point.

The quality of the pure Scottish water is important. The mash is stirred, helping to convert the starches to sugar. After mashing, the sweet sugary liquid is known as wort. The spent grains - the draff - is processed into cattle feed.

3. Fermentation

The wort is cooled to 20°C and pumped into washbacks, where yeast is added and fermentation begins. The living yeast feeds on the sugars, producing alcohol and small quantities of other compounds known as congeners, which contribute to the flavour of the whisky. Carbon dioxide is also produced and the wash froths violently. Revolving switchers cut the head to prevent it overflowing. After about 2 days the fermentation dies down and the wash contains 6-8% alcohol by volume.

4. Pot Stills

In some mysterious way the shape of the pot still affects the character of the individual malt whisky, and each distillery keeps its stills exactly the same over the years.

In distillation, the still is heated to just below the boiling point of water and the alcohol and other compounds vaporize and pass over the neck of the still into either a condenser or a worm - a large copper coil immersed in cold running water where the vapour is condensed into a liquid.

5. Distillation

The wash is distilled twice - first in the wash still, to separate the alcohol from the water, yeast and residue called pot ale - the solids of which are also saved for use in animal feeds.

The distillate from the wash still, known as low wines, and containing about 20% alcohol by volume, then goes to the spirit still for the second distillation. The more volatile compounds which distil off first - the foreshots, and the final runnings called feints where more oily compounds are vaporized, are both channelled off to be redistilled when mixed with the low wines in the next batch.

Only the pure centre cut, or heart of the run, which is about 68% alcohol by volume is collected in the spirit receiver.

6. Spirit Safe

All the distillates pass through the spirit safe - whose locks were traditionally controlled by the Customs & Excise. The stillman uses all his years of experience to test and judge the various distillates without being able to come into physical contact with the spirit.

The newly distilled, colourless, fiery spirit reduced to maturing strength, 63% alcohol by volume, is filled into oak casks which may have previously contained Scotch whisky, bourbon or sherry, and the maturation process begins. 

WHISKY - FAQ's III

What are the principal by-products of Scotch Whisky?

The liquids and solids remaining after distillation are not wasted, nor are they allowed to pollute rivers or coastlines. In recent years the Scotch Whisky industry has invested heavily in developing methods of treating the residue of distillation so that it now makes an important contribution to the animal foodstuffs industry.
Most distilleries now possess by-products plants or, in the case of smaller distilleries in remote areas, send their waste material to the area plants which process it into dark grains. These are extremely rich in protein and are sold in palletised form to farmers who use them to enrich cattle food.

Grain Whisky distilleries usually recover the carbon dioxide produced during the fermentation stage. This has several applications in industry and in the production of soft drinks.

What is meant by Under Bond and Duty Paid sales, respectively?

(a) Sales Under Bond are sales on which the Excise Duty has not been paid. The goods are consigned to a bonded duty-free warehouse.
(b) Sales Duty Paid are sales on which the Excise Duty has already been paid.

What is the origin of the name 'whisky'?

The term ‘whisky’ derives originally from the Gaelic ‘uisge beatha’, or ‘usquebaugh’, meaning ‘water of life’. Gaelic is that branch of Celtic spoken in the Highlands of Scotland.

When was Scotch Whisky first distilled?

Whisky has been distilled in Scotland for hundreds of years. There is some evidence to show that the art of distilling could have been brought to the country by Christian missionary monks, but it has never been proved that Highland farmers did not themselves discover how to distil spirits from their surplus barley.

The earliest historical reference to whisky comes much later, Mr J Marshall Robb, in his book ‘Scotch Whisky’, says: ‘The oldest reference to whisky occurs in the Scottish Exchequer Rolls for 1494, where there is an entry of ‘eight bolls of malt to Friar John Cor wherewith to make aquavitae’. A boll was an old Scottish measure of not more than six bushels. (One bushel is equivalent to 25.4 kiIograms)

When King James IV was in Inverness during September 1506, his Treasurer’s Accounts had entries for the 15th and 17th of the month respectively: ‘For aqua vite to the King. . .’ and ‘For ane flacat of aqua vite to the King. . .’. lt is probable that the aquavitae in this case was spirit for drinking.

The earliest reference to a distillery in the Acts of the Scottish Parliament appears to be in 1690, when mention is made of the famous Ferintosh distillery owned by Duncan Forbes of Culloden.

There is also a reference to distilling in a private house in the parish of Gamrie in Banffshire in 1614. This occurs in the Register of the Privy Council, where a man accused of the crime of breaking into a private house, combined with assault, was said to have knocked over some ‘aquavitie’.

One of the earliest references to ‘uiskie’ occurs in the funeral account of a Highland laird about 1618.

An unpublished letter of February 1622, written by Sir Duncan Campbell of Glenorchy to the Earl of Mar, reported that certain officers sent to Glenorchy by the King had been given the best entertainment that the season and the country allowed. It stated: ‘For they wantit not wine nor aquavite.’ This ‘aquavite’ was no doubt locally distilled whisky.

Another writer affirms that aquavitae occasionally formed part of the rent paid for Highland farms, at any rate in Perthshire, but no actual date is given for this practice.

What is the history of charging duty on Scotch Whisky?
The Scots Parliament in 1644 passed an Excise Act fixing the duty at 2/8d (13p) per pint of aquavitae or other strong liquor - the Scots pint being approximately one third of a gallon. For the remainder of the 17th century various alterations were made to the types and amounts of duty collected.

After the Union of the Parliaments in 1707, English revenue staff crossed the border to begin their lengthy attempts to bring whisky production under control. Ninety years later the excise laws were in such a hopeless state of confusion that no two distilleries were taxed at the same rate. Illicit distilling flourished, the smugglers seeing no good reason for paying for the privilege of making their native drink.

After a lengthy Royal Commission, the Act of 1823 sanctioned legal distilling at a duty of 2/3d (12p) per gallon for stills with a capacity of more than 40 gallons. There was a licence fee of £10 annually and no stills under the legal limit were allowed. The first distillery came into ‘official’ existence in the following year and thereafter many of the more far-sighted distillers came over on to the side of the law.

In 1840, the duty was 5d (2.5p) per bottle and by the beginning of the First World War it had risen to 1/81/2d (9p). In 1939, a typical bottle of Scotch Whisky cost 14/3d (72p) of which 9/71/2d (48p) was duty. By 1992, after a succession of duty increases, the same bottle was costing around £10.80. The duty on it was £5.55, equivalent to £19.81 per litre of pure alcohol.

In 1995, for the first time in one hundred years, the tax on Scotch Whisky was reduced. Duty fell from £5.77 to £5.54 a bottle (70cl). In 1996, the tax on Scotch Whisky was again reduced.

Since 1973 the price of a bottle of whisky, including the Excise Duty, has been subject to a Value Added Tax.

Scotch Whisky" The Water of Life

WHISKY - FAQ's II

What is patent still distillation?

Unlike Malt Whisky, Grain Whisky is distilled in a continuous operation in a Patent Still. This is sometimes known as the Coffey Still, after Aeneas Coffey, who developed it in 1831.

Steam is fed into the base of the analyser and hot wash into the top. As the two meet on the surface of the perforated plates, the wash boils and a mixture of alcohol vapours and uncondensed steam rises to the top of the column. The spent wash runs down and is led off from the base.

The hot vapours enter the rectifier at the base and as they rise through the chambers they partially condense on the sections of a long coil through which wash is flowing. The spirit vapour condenses at the top of the rectifier and is run off through a water-cooled condenser to the spirit safe and on to the spirit receiver. Once the spirit begins to be collected it runs continuously until the end of distillation.

Because of the rectifying element present in this process the distillate is generally lighter in aroma than most Malt Whiskies. It consequently has a milder character and requires less time to mature.

What is the worm?

The worm and its surrounding bath of cold running water, or worm-tub, form together the condenser unit of the Pot Still process of manufacture. The worm itself is a coiled copper tube of decreasing diameter attached by the lyne arm to the head of the Pot Still and kept continuously cold by running water. In it the vapours from the still condense. Fed by the still, it in turn feeds the receiving vessel with the condensed distillate.

The worm is being replaced gradually by the more modern tubular condenser.

What are low wines?

This is the name given to the product of the first distillation in the Pot Still process of manufacture. It is the distillate derived from the wash and contains all the alcohol and secondary constituents and some water. It forms the raw material of the second distillation, which is carried out in the Spirit Still. The feints and foreshots are added to the low wines when the Spirit Still is charged.

What is pot ale?

Pot ale, alternatively burnt ale, is the liquor left in the Wash Still after the first distillation in the Pot Still process. It is the residue of the wash after the extraction by distillation of the low wines.

What are foreshots?

Foreshots is the term applied to the first fraction of the distillate received during the distillation of the low wines in the Spirit Still used in the Pot Still process of manufacture. They form the first raw runnings of this second distillation and their collection is terminated by the judgement of the stillman. The following fraction of the distillate is the potable spirit. The foreshots are returned to the still, together with the feints.

What are feints?

Feints is the name given to the third fraction of the distillate received from the second distillation in the Pot Still process. They form the undesirable last runnings of the distillation. As noted above, they are returned with the foreshots to the Spirit Still when it is recharged with low wines.
The term is also applied to the first and last runnings from the Patent Still, in which process they are returned to the wash for re-distillation.

The feints and foreshots from the last distillation of the season are kept for adding to the first low wines of the succeeding season.

What are spent lees?

Spent lees are the residue in the Spirit Still after the distillation of the foreshots, potable spirits, and feints. They are usually treated and run to waste.

What is draff?

Draff is the spent grain left in the mash-tun after the liquor, wort, has been drawn off. It represents, as a rule, about 25 per cent of the malt and unmalted cereals, if any, put into the mash-tun. Draff enjoys a large market as cattle food. 

WHISKY - FAQ's I

What is a single whisky?

A single whisky is the product of one particular distillery.

What is meant by saccharify?

To saccharify means to convert to sugar. In whisky distilling it refers to the process which takes place during the malting and mash-tun stages by which enzymes in the malt, referred to as diastase, turn the starch in the cereals into sugar ready for the fermenting action of the yeast.

What is diastase?

When conditions of temperature and moisture favour germination, the embryo and associated parts of the barley grain secrete a mixture of enzymes commonly known as diastase. These act to modify and make soluble the starch in the barley, thus preparing it for conversion at a later stage to maltose.

What is wort?

Wort is the liquid drawn off the mash-tun in which the malted and unmalted cereals have been mashed with warm water. Wort contains all the sugars of the malt and certain secondary constituents. After cooling, it is passed to the fermenting vats. In Malt distilleries the cereals are all malted; in Grain distilleries a proportion only is malted, the remainder being unmalted. In some cases, Grain distilleries do not separate off wort, passing the complete mash to the fermentation vessels.

What is wash?

The wort or mash technically becomes wash as soon as yeast is added to start fermentation. However, the term is usually used to refer to the liquid at the end of the fermentation. It is the wash which forms the raw material of the first distillation in the Pot Still process and of the only distillation in the Patent Still process.

What is the pot still distillation?

Malt Whisky is distilled twice - although a few distilleries may undertake a third distillation - in Pot Stills which resemble huge copper kettles.

The spirit is driven off from the fermented liquid as a vapour and then condensed back to a liquid.

In the first distillation the fermented liquid, or wash, is put into the Wash Still, which is heated either directly by fire or by steam-heated coils.

At this stage the wash contains yeast, crude alcohol, some unfermentable matter and the by-products of fermentation. During the process of boiling the wash, changes take place in its constituents which are vital to the flavour and character of the whisky.

As the wash boils, vapours pass up the neck of the still and then pass through a water-cooled condenser or a worm, a coiled copper pipe of decreasing diameter enclosed in a water jacket through which cold water circulates.

This condenses the vapours and the resulting distillate, known as low wines, is collected for re-distilling. The liquor remaining in the Wash Still is known as pot ale or burnt ale and is usually treated and converted into distillers’ solubles for animal feed.

The low wines are distilled again in the Spirit Still, similar in appearance and construction to the Wash Still but smaller because the bulk of liquid to be dealt with is less. Three fractions are obtained from the distillation in the Spirit Still. The first is termed foreshots, the second constitutes the potable spirit, and the third is called feints. The foreshots and feints are returned to the process and redistilled in the Spirit Still with the succeeding charge of low wines. The residue in the still, called spent lees, is run to waste.

In the case of the Spirit Still, the design of the still, the height of the head (or top) of the still and the angle of the wide-diameter pipe or lyne arm, connecting the head to the condensing unit, are all very important and have an effect on the distillate.

The Pot Still has changed little in general design over the centuries.

Some of the less common spirits

By the word other sprits or less common /known spirits, we mean the various spirits produced in the different countries. There are around 400-600 varieties.

Some of them are:

Aquavit -- literally mean water of life. It’s made in Scandinavian countries from potatoes or grains flavored with Caraway seeds, orange peel cardamom &herbs.

Arrack / Raki: The word arrack comes from Arabic word which means juice or sweet It is called Raki in Turkey. It is popular spirit made from the sap of a tree

Calvados:  is a spirit made from apples or pears in Normandy. Calvados is the name of district in Normandy.  Apple jack is similar apple brandy made in USA.

Grappa / Marc: Grappa is a kind of Italian brandy made from the residue of Grape skin. The fine Brand of Grappa is Negroni (Grappa Bianca)

        There is a French equivalent of grappa is also made from dried grape skins pulp & seeds the Marc

Karpi: is a fruit Brandy made from Cranberry in Finland.

Kirsch: The colorless spirit made in Black forest area in Germany, Austria & Switzerland & also in the region of Alsace

Framboie: Raspberry brandy from France.

Poire Williams This spirit is made from distillation of fermented Pears & is colorless. French, Swiss, usually makes it. & German

Pastis: French aniseed flavoured spirit, which turns milky with water. The most famous brands are Ricard & Pernod.

Ouzo: It is most popular Greek colorless spirit .It is made with Grapes

Feni : is obtained from Cashew nuts or Palm or Coconut .It comes from Western region of India ,Goa .

                Besides Feni there are many Indian drinks like Mahua, it’s produced from Mahua flowers. Tari is usually made from the sap of stem of Date palm tree.

Pulque : A Mexican drink obtained from Mezcal. It has a flavour similar to the sour milk & has to be consumed fast .

Quetsch: It’s colorless spirit from plums made in Germany & France.

Sake: The Traditional Japanese rice wine not distilled but fermented. After fermentation Sake is allowed to mature for one year before bottling. It should be drunk young.

Some of the less common spirits

By the word other sprits or less common /known spirits, we mean the various spirits produced in the different countries. There are around 400-600 varieties.

Some of them are:

Aquavit -- literally mean water of life. It’s made in Scandinavian countries from potatoes or grains flavored with Caraway seeds, orange peel cardamom &herbs.

Arrack / Raki: The word arrack comes from Arabic word which means juice or sweet It is called Raki in Turkey. It is popular spirit made from the sap of a tree

Calvados:  is a spirit made from apples or pears in Normandy. Calvados is the name of district in Normandy.  Apple jack is similar apple brandy made in USA.

Grappa / Marc: Grappa is a kind of Italian brandy made from the residue of Grape skin. The fine Brand of Grappa is Negroni (Grappa Bianca)

        There is a French equivalent of grappa is also made from dried grape skins pulp & seeds the Marc

Karpi: is a fruit Brandy made from Cranberry in Finland.

Kirsch: The colorless spirit made in Black forest area in Germany, Austria & Switzerland & also in the region of Alsace

Framboie: Raspberry brandy from France.

Poire Williams This spirit is made from distillation of fermented Pears & is colorless. French, Swiss, usually makes it. & German

Pastis: French aniseed flavoured spirit, which turns milky with water. The most famous brands are Ricard & Pernod.

Ouzo: It is most popular Greek colorless spirit .It is made with Grapes

Feni : is obtained from Cashew nuts or Palm or Coconut .It comes from Western region of India ,Goa .

                Besides Feni there are many Indian drinks like Mahua, it’s produced from Mahua flowers. Tari is usually made from the sap of stem of Date palm tree.

Pulque : A Mexican drink obtained from Mezcal. It has a flavour similar to the sour milk & has to be consumed fast .

Quetsch: It’s colorless spirit from plums made in Germany & France.

Sake: The Traditional Japanese rice wine not distilled but fermented. After fermentation Sake is allowed to mature for one year before bottling. It should be drunk young.

LOIRE VALLEY WINES - HISTORY OF WINE MAKING

Vines already existed when Romans invaded the Loire Valley.

The legend says that Saint Martin was the first to make wine in the Loire region. It was in 380.

The wine production then grew fast. In both river banks, wine makers made white wine. On the hills, they went for red wine.

Such as in Burgundy, most of the vineyards belong to monasteries and monks had developed the wine production in the whole region.

LOIRE WINES - GEOGRAPHY

The Valley of the Loire, in the Centre West of France, is often considered as the most beautiful French wine region.
The region is wide and follow the river, starting in the Auvergne and Massif Central and finishing in the Atlantic coast around Nantes city.
The Loire River is wide and deep. The landscape is quiet and undulated.
It is probably more accurate to say that the Loire Valley is made of several different regions, which have one thing in common: the river.


Loire Region Information:
Location:
From the Massif Central mountains to the Atlantic coast and Nantes cities. The Loire wine region follows the Loire river in its valley and the rivers flowing into (Cher, Loir, Layon, etc)
Weather: Atlantic weather in the West (mild winter and summer)
Continental in the East (cold winter, warm summer)
Main Cities: Nantes , Tours, Bourges
Places of Interest: Châteaux de la Loire (Chambord, Azay le Rideau, Amboise, etc)
Loire Valley wine road (the most beautiful in France !)
Angers (heritage city)
Atlantic Coast (salt production)

LOIRE VALLEY WINES

The Loire Valley is famous for its white wines. None of them use Chardonnay as a main grape variety. Chenin Blanc or Sauvignon are widely used. About 75% of the production is made of white wine. Although Loire is a land of white wine, some red wines are very interesting. They are fruity and pleasant. The Loire Valley is probably the most beautiful wine region in France and in the world.

The most basic information on the wines of Loire are:
Location:
From the Massif Central to the Atlantic coast around Nantes. The Loire wine region follows the Loire river in its valley

Loire region information

Size of the vineyards: 30,000 hectares
Grapes in Loire: Chenin Blanc Sauvignon
Production: 400 million bottles
Loire wine making

Type of Wine: Dry white wine
Sweet white wine
Semi-dry white wine
Sparkling white wine
Fruity red wine
Rosé wine

STORAGE OF WINES: STORING AFTER OPENING

Storage after opening: 

This is storage for bottles of table wine that have been opened but not completely consumed. There are many methods for prolonging the life of opened table wines but even the best can only slow the degradation of the wine. These methods are for still table wines. Sparkling wines and fortified dessert wines have different characteristics and requirements. 

Gas Systems: Sparging the bottle with a gas (nitrogen or argon) can be very effective but it is expensive and I've never known anyone who actually used a gas system over a long period of time. They just seem to ultimately be more trouble than they are worth. If you do elect to try such a system, stay away from carbon dioxide since it will mix into solution with the wine. 

Vacu-vin: An item came on the market a few years ago called a Vacu-vin. This consists of rubber bottle stoppers that hold a weak vacuum created by a hand pump that comes with the system. While some people swear by them, there is a consistent complaint that wines treated with a Vacu-vin seem 'stripped' of aromas and flavor. They actually create a lower pressure environment instead of an actual vacuum. This means they don't remove all the oxygen and oxidation of the wine will still occur.

Half bottles, marbles and progressive carafes: These are all ways of limiting the amount of air in contact with the wine. The concept is good if you move quickly and refrigerate the remaining wine.

STORAGE OF WINES - II

For any wine lover, storing wine well is very important. There are a few simple principles that need to be understood in order to select proper wine storage conditions. We can logically break down the process into just 3 categories: storing wine for the short haul, storing wine for long term aging and storing (or saving) wines that have already been opened.

Short Term Storage: 

This is wine you will consume within 6 months. These may be bottles that are just home from the store and destined to be consumed shortly or bottles that have been pulled from longer storage to be accessible for spur of the moment consumption. 

The closer you can duplicate the conditions required for long term storage, the better. However, in many situations, keeping the wines in a box in an interior closet is a satisfactory solution. 

Keep the bottles stored so that:

• the cork stays moist 

• the wines are at the lowest stable temperature possible 

• the location is free of vibration 

• the location is not a storage area for other items that have a strong odor 

Stay away from those little 9 bottle racks that end up on top of the refrigerator; it's hot, close to the light and vibrates from the refrigerator compressor.

Long Term Storage: 

This is wine that you will keep for more than 6 months before consumption. A good storage location for wine is generally dark, is free of vibration, has high humidity and has a low stable temperature. 

Generally accepted 'ideal' conditions are 50 to 55 degrees farenheight and 70 percent humidity or higher. The high humidity is important because it keeps the corks from drying and minimizes evaporation. The only problem with even higher levels of humidity is that it brings on growth of mold on the labels or the loosening of labels that have water soluble glue. 

Temperatures lower than 55 degrees only slow the aging of the wines. There have been wines found in very cold cellars of castles in Scotland that are perfectly sound and are much less developed that those kept at 'normal' cellar temperature. A near constant temperature is preferable to one that fluctuates. 

With regard to light, most modern bottles have ultraviolet filters built into the glass that help protect the contents from most of the effects of UV rays. Despite the filters in the glass, long term storage can still allow enough rays in to create a condition in the wine that is referred to as 'light struck'. The result is that the wine picks up the taste and smell of wet cardboard. This is especially noticeable in delicate white wines and sparkling wines. The condition can be created by putting a bottle of champagne near a fluorescent light for a month. 

Regular or constant vibrations from pumps, motors or generators should be avoided since the vibrations they cause are thought to negatively affect the evolution of the wines. One additional factor to avoid is storing other items with very strong odors near the wine. There have been many reports of wines picking up the aromas of items stored nearby. 

If you do not have a suitable wine cellar, there are many types of 'wine refrigerators' that will work as well. They differ from common refrigerators in that they work at higher temperatures (50-65 degree range) and they do not remove humidity from the air. There are kits available that will convert regular refrigerators into suitable wine storage units.

AGEING & STORING WINE

Whether or not to bottle age your wine after you have purchased it is a very personal and somewhat complex decision. While most white wines are designed to be enjoyed within two to three years after their vintage date, many robust red wines, particularly Cabernet Sauvignon such as William Hill Winery's Reserve Cabernet Sauvignon and Aura, will continue to evolve and improve with additional aging in proper storage conditions. 

Under the proper storage conditions, the components of red wines will interact and evolve. During bottle aging, the wine's varietal aromas and flavors, as well as tannins and pigment, interact with oak compounds imparted during fermentation and barrel aging. Tannins and pigment compounds will link together to form longer, smoother polymer chains, softening the tannic impression of the wine. This integration can help to develop increasingly complex flavors and aromas, and deepen the wine's color from purplish to a deep, brick red.

However, the primary caveat of a fine red wine improving through additional aging is the quality of its storage conditions. The ideal storage environment for wine mirrors the conditions of many wineries' storage caves: 

•

Cool Temperature:

55-65°F. Cool temperatures slow the aging process and help to develop complex varietal character.

•

Consistent Temperature:

Less than 10°F fluctuation throughout the year. Temperature fluctuations can cause the wine to expand and contract, possibly causing damage to the cork.

•

Humidity:

Between 60-80%. Humidity over 80% can encourage mold, while dry conditions can cause evaporation and oxidation.

•

Darkness:

Excessive light exposure can cause proteins in wine to become hazy, and can create "off" aromas and flavors.

•

Vibration-free:

Vibration (from appliances or motors) can travel through wine and be detrimental to its development.

•

Odor-free: 

The storage area should be free from chemical odors, such as cleaners, household paints, etc. 

Basements are usually wonderful for storing wine because they meet many of the above criteria. Other options include a little-used, interior closet in an air-conditioned home. Wine storage systems are available that provide optimum temperature and humidity conditions for serious wine collecting.

STORAGE OF WINES - Q&A

QUESTIONS & ANSWERS:

Should I be storing the wine I drink everyday in a special way or place? 

Simply keep your bottles of wine in a cool place away from direct sunlight until you’re ready to drink them. If you are going to store them for more than a few weeks, it is best to store them on their side rather than upright. This will keep the cork moist and therefore airtight.

There is no need to store white wines or Champagne/sparkling wines in the refrigerator if you are not planning on drinking them soon. Simply chill them before serving. 

Where should I store wine I don't plan to drink immediately? 

There are two types of wine you may not plan to drink immediately--wines you have purchased that are ready to drink, and wines designed to be aged. Most wines on the market today are designed to be ready to drink as soon as you purchase them. Therefore, the long-term storage conditions recommended for wines designed to be aged are not necessary. 

Keep these ready-to-drink wines away from direct sunlight and heat, any source of vibration, and lying on their sides. This will ensure that the cork will remain moist and therefore airtight.

There is no need to store white wines or Champagne/sparkling wines in the refrigerator if you are not planning to drink them soon. Simply chill them before serving.

If you do begin to accumulate wines designed to be aged, storage becomes more important. The key conditions to keep constant are temperature (needs to be about 55 degrees) and humidity (70% - 80%). To achieve this at home, you may need to convert a closet or buy a special unit designed. 

Where should I store wine after it is opened? 

A re-corked, leftover bottle of red or white wine can be stored in the refrigerator for 3 — 5 days without compromising its flavor. Just take the red wine out of the refrigerator to let it come up to room temperature before drinking. A tightly corked leftover bottle of Champagne/sparkling wine can also be kept fresh in the refrigerator for 3 - 5 days.

How long will an open bottle of wine keep? 

Longer than you may think. Don’t throw it away! Re-cork the wine (if you’ve thrown away the cork use plastic wrap and a rubber band). An open bottle of red or white wine will keep in the refrigerator for 3 — 5 days. A bottle of Champagne/sparkling wine (tightly recorked) will also keep for 3 — 5 days in the refrigerator.

STORAGE OF WINE - I

Most of the enjoyment that comes from drinking wine involves its aroma. Taste only has four aspects - sweet, sour, salty, acid. The nose does the rest. Vapors are created as wine warms up, so the wine needs to be a few degrees below its ideal drinking temperature for this to work. Room Temperature is rarely 'wine drinking temperature' - if you're in the Indian Ocean on a yacht, you hardly want 100° Chardonnay! How about Houston in July? Warmth makes white wines taste dull. Few homes are regulated to match wine-drinking temperatures. 

So throw out the old "refrigerate all whites, drink all reds at current room temperature" adage. Here is a chart to indicate in general best temperatures for drinking wine at. Remember, though, that you also want to keep in mind the temperature of the room relative to this 'idea temperature'. If your room is 60°F and you are serving a fine Burgundy, perhaps chill the Burgundy to 58°F to allow it a little warming up in the glass. Fridges do well for cooling a wine when necessary, but for warming I prefer to warm it with my hands, glass by glass. 

If you run into someone hooked on Room Temperature, have them imagine drinking a fine ice wine in Barrow, Alaska in February. At that temperature, even a wine meant 

Storage of Wine - Serving temperatures of Wine

Temp F	Temp C	Notes
100°	39°	Warm Bath
68°	20°	-
66°	19°	Vintage Port
64°	18°	Bordeaux, Shiraz
63°	17°	Red Burgundy, Cabernet
61°	16°	Rioja, Pinot Noir
59°	15°	Chianti, Zinfandel
57°	14°	Tawny/NV Port, Madeira
55°	13°	Ideal storage for all wines
54°	12°	Beaujolais, rose
52°	11°	Viognier, Sauternes
50°	10°	-
48°	9°	Chardonnay
47°	8°	Riesling
45°	7°	Champagne
43°	6°	Ice Wines
41°	5°	Asti Spumanti
39°	4°	-
37°	3°	-
35°	2°	Fridge Temperature
33°	1°	-
32°	0°	water freezes
0°	-18°	Freezer Temperature

STORAGE OF WINE

What's the big deal about storing a wine at a certain temperature? Simply put, wine is a perishable good. Storing a fine wine at 100° will cause it to lose its flavor, while storing it at 0° will cause as much damage.

The trick with wine is to store it at a stable, ideal temperature, and then to serve it at a temperature which best shows off its personal characteristics. If you serve a wine too cool, the flavors will all be hidden. It's like eating a frozen pizza while it's still frozen. If you serve a wine too hot, all you can taste is the alcohol.

WINE TERMINOLOGY

Winemakers and wine writers use a variety of descriptions to communicate the aromas, flavors and characteristics of wines. Many of the terms seem familiar and natural, yet others are less clear. Use this glossary of common wine terminology to help you better understand and describe the wines you enjoy.

Acidity The presence of natural fruit acids that lend a tart, crisp taste to wine

Aroma Smells in wine that originate from the grape

Astringent Bitter; gives a drying sensation in the mouth

Balanced All components of the wine are in harmony

Barrel Fermented White wine that is fermented in an oak barrel instead of a stainless steel tank

Body The weight and tactile impression of the wine on the palate that ranges from light to heavy/full

Bouquet Smells from winemaking, aging and bottle age

Buttery Rich, creamy flavor associated with barrel fermentation

Character Describes distinct attributes of a wine

Chewy Wine that has a very deep, textured and mouth-filling sensation

Clean Wine without disagreeable aromas or tastes

Closed Wine that needs to open up; aging and/or decanting can help

Complex Layered aromas, flavors and textures

Cooked Wine that has been exposed to excessively high temperatures; spoiled

Corked Wine that has been tainted with moldy smells or other obvious flaws from a bad cork

Delicate Light, soft and fresh wine

Dry No sugar or sweetness remaining; a fruity wine can be dry

Earthy Flavors and aromas of mushroom, soil and mineral

Elegance A well balanced, full wine with pleasant, distinct character

Finish The final impression of a wine on the palate; ranges from short to long

Firm Texture and structure of a young, tannic red

Flabby/Flat Lacking in acidity, mouth-feel, structure and/or texture

Fleshy A soft textured wine

Flinty A mineral tone, aroma or flavor

Floral Flower aromas such as rose petals, violets, gardenia or honeysuckle

Fruity Obvious fruit aromas and flavors; not to be confused with sweet flavors such as berries, cherries and citrus

Full-Bodied Rich, mouth filling, weighty-textured wine

Grassy Aromas and flavors of fresh cut grass or fresh herbs

Green Unripe, tart flavors

Hard Texture and structure that hinders flavor

Herbaceous Grassy, vegetable tones and aromas

Lean Wine is thin and tastes more acidic than fruity

Legs Teardrop impressions of alcohol weightiness that are visible on the inside edges of a wine glass

Light-Bodied A wine with delicate flavors, texture and aromas

Lively Young, fruity and vivacious flavor

Malolactic Conversion of hard, malic acid (green apple flavors) in wine to soft, lactic acid (rich, butter flavors)

Medium-Bodied A wine with solid, but not rich weight and texture

Nose The smell of a wine; aroma

Oak Aromas and flavors contributed during barrel fermentation and/or aging such as vanilla, caramel, chocolate, smoke, spice or toast

Off-Dry (Semi-dry) Very low levels of residual sugar remaining in the wine

Rich Weighty flavors and texture

Round Smooth flavors and texture; well-balanced

Smoky/Toasty Aromas of smoke and toast imparted by fired barrels

Sweet Wines that have a higher concentration of sugar after fermentation

Tannin A drying, astringent sensation on the palate that is generally associated with heavier red wines

Terroir French word reflecting the expression of soil, topography and climate in a wine

Thin Wine is unpleasantly watery and lacks flavor and texture

Vegetal Herbal, weedy aromas and flavors

Velvety Smooth-textured with deep, rich aromas and flavors

Vintage Year that grapes were harvested and fermented to make a wine

BURGUNDY WINES

Agnès et Marcel Durand Red Wine
strong rubyred color, fruity, light menthol smell, fine tannins, full body
  Agnès et Marcel Durand  Beaujolais-Villages

 Aimée-Claude Bonnetain Red Wine
blue red color, scent of red fruit and spices, well structured, balanced, fruity, long, typical, ...
  Aimée-Claude Bonnetain  Côte de Brouilly

 Alain Chatoux Vieilles vignes Red Wine
clar, dark orange red color, notable scent of red fruit with alcoholic notes, aromas of currant j...
  Alain Chatoux  

 Alain Michaud Red Wine
delicious, deep orange-red color with bright red reflexes, smells of faded roases, spices, coffee...
  Alain Michaud  Brouilly

 André Depardon La Madone Red Wine
dark red color, intense raspberry scent, full, fine, balanced, long flavor, rounded
  André Depardon  Fleurie

 André Méziat Red Wine
clear, intense red color, strong scent of vineyard peaches and cherries, full-bodied, rich, soft,...
  André et Monique Méziat  Chiroubles

 Belvedere des pierres dorées White Wine
shining yellow color, complex scent of rhubarb, and strawberries, lively, open, good composition
  Cave coop. Beaujolaise  

 Bernard Broyer Red Wine
deep ruby red color with purple reflexes, expressive scent with citrusfruit, red fruit, and spice...
  Bernard Broyer  Juliénas

 Bernard Jomain Red Wine
intense red color, almost blue, elegant nuances of black currants, strong, rustic
  Bernard Jomain  Brouilly

 Bernard Lavis Red Wine
intense ruby-red color, smells of fresh red fruit, plants, clear, rounded, soft flavor, full
  Bernard Lavis  Beaujolais-Villages

 Bernard Pichet Red Wine
orange-red color, hints of blossoms and raspberries, youthful, plant aromas, balanced
  Bernard Pichet  Chiroubles

 Bernard Santé Red Wine
delicious orange-red color, strong, concentrated scent of licorice and flowers, very soft, sweet,...
  Bernard Santé  Chénas

 Cave Beaujolaise de Quincié Red Wine
shining, clear, pepper-flowery scent, hints of very ripe grapes, open personality, rounded, long ...
  Cave Beaujolaise de Quincié  Régnié

 Cave de Ponchon Red Wine
clear, lively, fruity flavor, well structured, harmonious, pretty
  Florent Dufour  Régnié


Cave de Saint-Vérand Cuvée réservée Vieilles vignes Red Wine
blue-red color, intense scent of red frui and spring roses, noble, clear, spicy notes, pleasant, ...
  Cave Beaujolaise de Saint-Vérand  


Cave des Vignerons de Bel-Air Red Wine
strong red color, pretty scent of black currants and tobacco, soft flavor with aromas of very rip...
  Cave des Vignerons de Bel-Air  Morgon

 Cave des Vignerons de Liergues Rosé Wine
pretty, clear color with hints of autmn, pleasant scent of red currants and quinces, lively, soft...
  Cave des Vignerons de Liergues  


Cave du Beau Vallon Au pays des pierres dorées Red Wine
blue-red color, alcoholic-fruity scent of black currants and spices, full, rounded, aromas of sto...
  Cave du Beau Vallon  

 Cave du Bois de La Salle Red Wine
clear, sparkling, smells of red currants and raspberries, well balanced, fresh, long, lively tann...
  Cave du Château du Bois de La Salle  Saint-Amour


Cave Jean-Ernest Descombes Red Wine
shining, tempting ruby-red color, intense scent of red fruit and spices, hints of roasted coffee ...
  Cave Jean-Ernest Descombes  Morgon


Cédric Martin White Wine
golden color, copper tone, free scent with cloves, gingerbread, and flowers, elegant apricot nuan...
  Martin Cédric  


Cellier de la Vieille Eglise Red Wine
deep ruby-red color, shimmers amber, bouquet of underwood and spicy fruit, lively, somewhat flesh...
  Cellier de la Vieille Eglise  Juliénas


Château Bonnet Elevé en fût de chêne Vieilles vignes Red Wine
blue-red color, lovely oak hints, vanilla, open
  Pierre Perrachon  Chénas


Château de Belleverne Red Wine
ruby-red color, smells of flowers and red fruit, sharp tannins, balanced
  Sylvie Bataillard  Saint-Amour


Château de Belleverne Red Wine
dark orange-red color, purple reflexes, complex, fine smell of raisins, flintstone, and red fruit...
  Bataillard Père et Fils  Chénas


Château de Chénas Red Wine
medium orange-red color, nuances of black currants and spring roses, warm, soft, well balanced, p...
  Cave Château de Chénas  Chénas


Château de la Prat Red Wine
strong red color, complex, elegant scent of very ripe grapes with mineral, strong, lively, pretty
  Aujoux  Juliénas


Château de Leynes White Wine
golden-yellow color, smells like the vine, good character, soft, harmonious
  Jean Bernard  


Château de Pizay Red Wine
deep orange red color, pretty aromas of red fruit, fine, clear, rich, balanced, delicious, enchan...
  SCEA Domaine Château de Pizay  


Château de Raousset Red Wine
intense ruby-red color with purple reflexes, fine, expressive scent of strawberries and currants,...
  SCEA des Héritiers du Compte de Raousset  Chiroubles


Château de Raousset Red Wine
intense red color, fruity scent, pleasant personality, strong, lasting
  Château de Raousset  Morgon


Château de Vaux Cuvée traditionnelle Red Wine
light ruby-red color, crystal clear reflexes, very pretty scent of fresh grapes, elegant, harmoni...
  Jacques et Marie-Ange de Vermont  Beaujolais-Villages


Château des Boccards Red Wine
intense orange red color, scent of overripe fruit, hunt-, and pepper hins, long lasting, soft, ro...
  James Pelloux  Chénas


Château des Jacques Clos du Grand Carquelin Red Wine
shining orange-red color, strong, wood scent, fruity nuances, hints of roasted coffee, oak wood, ...
  Château des Jacques  Moulin-À-Vent


Château des Ravatys Cuvée Mathilde Courbe Red Wine
light red color, smells of cut wood and underwood, lively, fine, harmonious, long lasting
  Institut Pasteur  Côte de Brouilly


Château du Bluizard Red Wine
intense red color, smells of sour cherries and raspberries, full, well structured, cherry aromas
  SCE des Domaines Saint-Charles  Brouilly


Château du Bourg Cuvée Réserve Red Wine
dark ruby red color, intense, fruity scent, soft, fleshy, aroma of red fruit, pleasant, balanced,...
  GAEC Georges Matray et Fils  Fleurie

BURGUNDY WINES - COTE DE BEAUNE

The Côte de Beaune is the more southerly part of the Côte d'Or. The northernmost tip abuts onto the Côte de Nuits, and the region extends south to the Côte Chalonnaise. The geology is more variable than that of the Côte de Nuits. The region sits on a combination of Callovian, Argovian and Rauracian limestones, with much intervening marlstone. Obviously, the climate is the same as for the Côte de Nuits - continental, with a wide annual temperature difference. Spring rains and frost, and Autumn rains, which may interfere with the harvest, can also be a problem here. The vineyards face south-east on the slope between the plain to the south-east, and the hills to the north-west, the easterly aspect aiding exposure to the sun. 

Pernand-Vergelesses can be a source of some good value Burgundy, but no great wines. Nearby, however, we start to see some of the more serious wines of the Côte de Beaune at Aloxe-Corton. The wines of this village, as well as a number of other villages nearby, are red as well as white. Red Corton should be a muscular, savoury wine, whereas the white is a rich, intense, buttery drink. Beaune, Savigny-les-Beaune and Chorey-les-Beaune are all best known for their red wines. The wines produced here are well fruited, tasty, sometimes quite elegant affairs, although they are somewhat lighter (and less expensive) when from the latter two villages. 

Pommard can make wonderful red Burgundy, well structured and meaty, whereas Volnay is better known for it's heady, perfumed and delicately textured wines.

Towards the southern end of the Côte de Beaune, however, are the Côte d'Or's most famous white wine villages. Meursault produces rich, complex, intense yet elegant wines, but it is Puligny-Montrachet and Chassagne-Montrachet that lead the pack. The former bears a wonderful combination of richness with mineral complexities, the latter are sometimes broader and more open, although both are lovely, and words cannot really do them justice. Nearby are the villages of St-Romain, St-Aubin, Santenay and Auxey-Duresses. All are responsible for some value Burgundy. 

The appellations of the Côte de Beaune are as follows:

Grands Crus: As with the Côte de Nuits, such wines are not required to bear the village name. The Grands Crus are as follows:

Aloxe-Corton: Corton (the largest Grand Cru in Burgundy, with a number of subdivisions, eg Corton-Bressandes), Corton-Charlemagne.

Puligny-Montrachet: Montrachet, Bâtard-Montrachet, Chevalier-Montrachet, Bienvenues-Bâtard-Montrachet.

Chassagne-Montrachet: Montrachet, Bâtard-Montrachet, Criots-Bâtard-Montrachet.

As with the Côtes de Nuits, some vineyards lie in more than one village. Here, the Grands Crus Montrachet and Bâtard-Montrachet lie in both Puligny and Chassagne-Montrachet. Most villages of the Côte de Beaune have no Grands Crus.

Premiers Crus: As with the Côtes de Nuits, these are too numerous to name. As with Chablis and the Côtes de Nuits, a wine blended from several such sites will be labelled as Premier Cru, whereas a wine from an individual vineyard will bear the vineyard name, eg Pommard Premier Cru Les Petits Epenots.

Village Wines: The villages of the Côte de Beaune are Ladoix, Pernand-Vergelesses, Aloxe-Corton, Savigny-lès-Beaune, Chorey-lès-Beaune, Beaune, Pommard, Volnay, Monthelie, St-Romain, Auxey-Duresses, Meursault, Blagny, Puligny-Montrachet, Chassagne-Montrachet, St-Aubin and Santenay. Blagny is a small hamlet close to the Premier Cru vineyards of Meursault.

Sub-Village Appellations: These include Côte de Beaune Villages (may be applied to declassified wine from fourteen villages of the Côte de Beaune not including Aloxe-Corton, Beaune, Volnay or Pommard), Bourgogne Hautes Côtes de Nuits (applies to a large number of communes to the west of the Côte d'Or), and basic Bourgogne. There is also the confusing appellation Côte de Beaune, which refers to wines from the commune of Beaune not deemed worthy of the appellation Beaune.

The Côte d'Or - My top wines. As many producers have vineyards in so many different sites, I have grouped together the good names in Burgundy here. This is a personal list (in alphabetical order), so it doesn't include great but hardly affordable domaines such as Romanée-Conti. My list of top estates and producers includes Domaine d'Arlot, Simon Bize, Robert Chevillon, Bruno Clair, Michel Colin-Deléger, Drouhin, René Engel, Faiveley, Jacques Gagnard-Delagrange, Jean-Marc Blain-Gagnard, Richard Fontaine-Gagnard, Jean Grivot, Hudelot-Noëllat, Jadot, Jaffelin, Henri Jayer, Leroy, Méo-Camuzet, Albert Morot, Daniel Rion, Domaine des Perdrix, and Etienne Sauzet. 

BURGUNDY WINES - COTE DE NUIT

The Côte d'Or is divided into two main viticultural regions, the Côte de Nuits being the more northerly of the two. The northernmost tip lies just south of Dijon, and the region extends down to the Côte de Beaune, onto which it abuts. Named after the town of Nuits-St-Georges, it is most widely reknowned for it's red wines, although there are a few worthy white wines made here also. Geologically, the region sits on a combination of Bajocian, Bathonian, Callovian and Argovian limestones, with some Liassic marlstone. The climate is continental, with a wide annual temperature difference. Spring rains and frost can be a problem, as can Autumn rain, which may interfere with the harvest. This is true for the whole Côte d'Or. The vineyards lie on the slope between the plain to the east, and the hills to the west. Soils on the plain, to the east of the N74 (not illustrated), are too fertile for quality wine, and on the hills it is too sparse. The easterly aspect also aids exposure to the sun. 

The most northerly village of note is Marsannay, an up and coming wine region for the production of value Burgundy. Next is Fixin, a village which can produce some good value wines, although they never achieve greatness.

Further south come the villages of the Côte de Nuits that produce some of the great wines of Burgundy. Firstly, Gevrey-Chambertin, which impresses with the combination of its muscular, weighty attitude and paradoxical perfumed edge. Morey-St-Denis is a meaty, intense wine which can be superb, but like many of these famous names overcropping and poor vinification techniques can result in some very weak wines. Chambolle-Musigny may be marked by a wonderful, floral, fragrant bouquet, whereas at Vougeot we have an unusual situation. Much of the wine is classified as Grand Cru as it lies within the walled vineyard of the Clos de Vougeot, but only a small part of this wine is truly of Grand Cru quality. At best it can be a tasty, full-bodied, richly fruited wine, although it is not one of the great Grands Crus.

Flagey-Echézeaux is unusual as it lies to the east of all the other vineyards. The wines can be quite fine. Next is Vosne-Romaneé, a fine set of vineyards which can produce some superb wines. Vosne-Romaneé can have a rich, creamy, sensuous texture, even in the village wines from a good producer. Other than Nuits-St-Georges, there are no other villages of huge significance.

The appellations of the Côte de Nuits are as follows:

Grands Crus: Such wines are not required to bear the village name. Thus wines produced, for example, from the Grand Cru Chambertin Clos de Bèze would not include the village name of Gevrey-Chambertin, where it is situated. These are as follows:

Gevrey-Chambertin: Chambertin, Chambertin Clos de Bèze, Charmes-Chambertin, Chapelle-Chambertin, Griotte- Chambertin, Latricières-Chambertin, Mazis-Chambertin, Ruchottes-Chambertin.

Morey-St-Denis: Bonnes Mares, Clos Saint-Denis, Clos de Tart, Clos de la Roche, Clos des Lambrays.

Chambolle-Musigny: Musigny, Bonnes Mares.

Vougeot: Clos de Vougeot.

Vosne-Romanée: La Romanée, La Tâche, Richebourg, Romanée-Conti, Romanée-St-Vivant, La Grande Rue.

Flagey-Echézeaux: Grands-Echézeaux, Echézeaux.

The Grand Cru Bonnes Mares straddles the villages of Morey-St-Denis and Chambole-Musigny. Nuits-St-Georges has no Grands Crus.

Premiers Crus: These are too numerous to name here. As with Chablis, a wine blended from several such sites will be labelled as Premier Cru, whereas a wine from an individual vineyard will bear the vineyard name, eg. Gevrey-Chambertin Premier Cru Clos Saint-Jacques.

Village Wines: The villages of the Côte de Nuits are Marsannay (La-Côte), Fixin, Gevrey-Chambertin, Morey-St-Denis, Chambolle Musigny, Vougeot (although anything other than Grand Cru Clos de Vougeot is rare), Vosne-Romanée and Nuits-St-Georges. Village wines from Flagey-Echézeaux are sold under the Vosne-Romanée appellation.

Sub-Village Appellations: These include Côte de Nuits Villages (may be applied to wine from Corgoloin, Comblanchien, Prémeaux, Brochon, and declassified wine from Fixin), Bourgogne Hautes Côtes de Nuits (applies to a large number of communes to the west of the Côte d'Or), and basic Bourgogne.

BURGUNDY WINES - BEAUJOLAIS

The Beaujolais is a French AOC wine, almost all Beaujolais wines are reds of the Gamay grape but like most AOC wines are not labelled varietally. Whites from the region, which make up only 1% of its production, are made with Chardonnay grapes. Beaujolais tends to be a very light bodied red wine, with relatively high amounts of acidity which makes it less a casual sipping wine and one more suited to food.

Most Beaujolais should be drunk within the first three years of its life. Only the best examples of the ten "crus" listed below - and produced by the best vintners - improve with age for up to ten years.

Wines labeled simply "Beaujolais" account for 50% of the production. Beaujolais Villages makes up 25% of the region's production, and comes from better vineyard sites in and around the ten "crus" in the north part of Beaujolais. Wine from these individual crus, which make up the balance, can be more full-bodied, darker in color, and significantly longer lived. Unfortunately for the unknowing wine drinker, these wines do not usually use the word "Beaujolais" on the label, leaving one with little recourse but to memorize the list. The ten crus are: Morgon, Moulin-à-Vent, Brouilly, Côte de Brouilly, Saint-Amour, Chiroubles, Chénas, Fleurie, Juliénas, and most recently, Régnié.

By far, the largest production comes from the négoçiant Georges Duboeuf, who makes the well-known "flower labels".

Tourism

Some of the major tourist attractions are the Gothic abbey church of Saint-Seine-l'Abbaye and the Romanesque abbey church at Saulieu, as well the Château de Bussy Rabutin at Bussy-le-Grand. The Abbey of Cîteaux, headquarters of the Cistercian Order, lies to the east of Nuits-Saint-Georges in the south of the département.

BURGUNDY WINES - COTE D'OR

The département is part of the current région of Bourgogne. It is surrounded by the départements of Yonne, Nièvre, Saône-et-Loire, Jura, Aube, and Haute-Marne.

A chain of hills called the Plateau de Langres runs from north-east to south-west through the département to the north of Dijon and continues south-westwards as the Côte d'Or escarpment, after which the département is named. It is the south-east facing slope of the escarpment which is the site of the celebrated Burgundy vineyards. To the west of the Plateau de Langres, towards Champagne, lies the densely wooded district of Châtillonais. To the south-east of the plateau and escarpment, the département lies in the broad, flat-bottomed valley of the middle course of the Saône.

Rivers include:

* The Saône 

* The Seine rises in he southern end of the Plateau de Langres. 

* The Ouche rises on the dip slope of the escarpment and flows to the Saône via Dijon. 

* The Armançon rises on the dip slope of the escarpment and flows north-westward. 

* The Arroux rises on the dip slope of the escarpment at the southern end of the département. 

Climate

The climate of the département is temperate, with abundant rain on the west side of the central range.

Beaujolais

Beaujolais is a historical province and a wine-producing region in France. It is now part of the Burgundy région for administrative purposes. The region is known internationally for its long tradition of winemaking, and more recently for the enormously popular Beaujolais nouveau.

BURGUNDY WINES - THE GEOGRAPHY

Highest point: Haut-Folin (901m) in the Morvan. The Canal of Burgundy joins the Rivers Yonne and Saône, allowing barges to navigate from the north to south of France. Construction began in 1765 and was completed in 1832. At the summit there is a tunnel 3.333 kilometers long in a straight line. The canal is 242 kilometers long, with a total 209 locks and crosses two counties of Burgundy, the Yonne and Cote d'Or. The canal is now mostly used for riverboat tourism; Dijon, the most important city along the canal, has a harbor for leisure boats.